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Horror
Cult Classics: Remembering Aaliyah’s Iconic Queen Akasha in ‘Queen of the Damned’
Review: ‘Orphan: First Kill’ is a Campy Slasher Prequel With Uncomfortable Shades of Ableism
Review: ‘Prey’ Honors Indigenous Knowledge and Resilience, But We Can’t Ignore Anti-Blackness Inherent in the ‘Predator’ Framework
‘Flowers in the Attic: The Origin’ is the Nuanced Adaptation VC Andrews’ Fans Have Waited Decades to Experience
Review: Rebecca Hall Captivates in ‘Resurrection,’ a Psychological Thriller Exploring the Horrors of Trauma
Jordan Peele Unpacks the Mystery Behind What’s Stirring in ‘Nope’
Netflix’s Brand New Series ‘Resident Evil’ Will Bring Zombies, Blood, and Horror This Summer
Cult Classics: Alfred Hitchcock’s ‘Psycho’ is the Quintessential Slasher Flick
SXSW 2022 Review: ‘Bitch Ass’ is Predictable and Misses the Mark
SXSW 2022 Review: ‘Sissy’ Takes Self Help to New Lows
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